I work in abstract relief painting and mixed-media sculpture, creating objects that read like archaeological sites from the future. Using fragments of contemporary imagery, text, and material, I build textured, rock-like surfaces that resemble eroded tablets or cave walls.

​

These works treat the present as something already past. Images drawn from digital culture, media, and everyday life are embedded, layered, and worn down into what I call a graffiti-grit surface—part record, part residue. Arranged in clusters, the pieces function as speculative archives, inviting viewers to move through them as if excavating meaning from an unfamiliar history.

​

This future-archaeological framework creates distance, allowing the present to be seen as an artifact. Within that space, I focus on how race, identity, and memory are constructed, documented, and distorted over time—particularly in relation to Black experience in America over the last two decades.

​

My work aims to preserve cultural traces without flattening them. Rather than reproducing trauma, I create environments for reflection—where viewers can question what is recorded, what is lost, and how meaning shifts across time.

The era of paleo-sýnchronos